The Maramotti Collection, in Reggio Emilia, announces an exhibition of paintings and a sculpture by Thomas Scheibitz, one of the most important contemporary German artists (in 2005 he represented Germany at the Venice Biennale).
In the compositional structure of Scheibitz's works, the variety of iconic and tectonic elements constitute, or allude to, abstract, para-geometrical translations of figures and signs lifted from the very public repertory of images offered by our historical visual culture and by the media– newspapers, magazines, advertising, cinema.
In the artists’ pictorial construction, these elements are, however, always presented with an enhanced perspective vision, which is a constant feature of his evolving formal language.
His sculptures follow an analogous process: Scheibitz transposes the figures he has collected from the systematic exploration of the collective imaginary, and hermetically turns them into playful plastic forms. Appropriation for him always implies re-invention.